杨腓力（Philip Yancey） 美国当代作家、编辑。三十多年来，凭借纯熟的文字和过人的洞察力，诚恳深入地探讨信仰和生活中的艰难和困惑，影响了超过1500万读者。他的作品曾12次获得美国ECPA年度图书金奖，并被翻译成25种文字，流传到世界各国。代表作有《无语问上帝》、《有话问苍天》、《恩典多奇异》等。杨腓力是Christianity Today杂志的主编。 保罗•班德（Paul Brand,1914-2003） 世界著名的手部外科医生和痳风病专家，他在印度投身痳风病的治疗和康复工作达十八年之久，赢得无数奖项和荣誉，其中包括素负盛名的阿伯特•拉斯卡奖、美国达米恩-杜顿痳风奖，并受英国伊丽莎白女王封为爵士。随后在担任路易斯安那州卡维尔痳疯中心的康复主任时，获得美国公共卫生部杰出服务奖。晚年半退休的他，曾任华盛顿大学骨科系退休名誉临床教授，以及世界卫...(展开全部)

杨腓力（Philip Yancey） 美国当代作家、编辑。三十多年来，凭借纯熟的文字和过人的洞察力，诚恳深入地探讨信仰和生活中的艰难和困惑，影响了超过1500万读者。他的作品曾12次获得美国ECPA年度图书金奖，并被翻译成25种文字，流传到世界各国。代表作有《无语问上帝》、《有话问苍天》、《恩典多奇异》等。杨腓力是Christianity Today杂志的主编。 保罗•班德（Paul Brand,1914-2003） 世界著名的手部外科医生和痳风病专家，他在印度投身痳风病的治疗和康复工作达十八年之久，赢得无数奖项和荣誉，其中包括素负盛名的阿伯特•拉斯卡奖、美国达米恩-杜顿痳风奖，并受英国伊丽莎白女王封为爵士。随后在担任路易斯安那州卡维尔痳疯中心的康复主任时，获得美国公共卫生部杰出服务奖。晚年半退休的他，曾任华盛顿大学骨科系退休名誉临床教授，以及世界卫...(展开全部)

In premodern China, elite painters used imagery not to mirror the world around them, but to evoke unfathomable experience. Considering their art alongside the philosophical traditions that inform it, "The Great Image Has No Form" explores the "nonobject" - a notion exemplified by paintings that do not seek to represent observable surroundings. Francois Jullien argues that this ...(展开全部)

Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unr...(展开全部)

Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic m...(展开全部)

Aby Warburg (1866-1929) is best known as the originator of the discipline of iconology and as the founder of the institute that bears his name. His followers included such celebrated art historians of the twentieth century as Erwin Panofsky, Edgar Wind, and Fritz Saxl. But his heirs developed, for the most part, a domesticated iconology based on the interpretation of symbolic m...(展开全部)

Guided by Aristotelian theories, medieval philosophers believed that nature abhors a vacuum. Medieval art, according to modern scholars, abhors the same. The notion of horror vacui—the fear of empty space—is thus often construed as a definitive feature of Gothic material culture. In The Absent Image, Elina Gertsman argues that Gothic art, in its attempts to grapple with the unr...(展开全部)